randian | 燃点

Ecce Homo. “Behold the man,” Pontius Pilate said to the public when he crucified Jesus Christ. The same phrase was taken by Friedrich Nietzsche for his autobiography, which he finished in the last years of his ontological pursuit. Again, Tsang Kin-Wah borrows the same words to title his latest show at Pearl Lam Gallery Hong Kong, where he reinterprets the prosecution of Romanian dictator Nicolae Ceausescu. >> 更多

(English) David Zwirner is pleased to present the United States premiere of Jordan Wolfson’s most recent video work, Riverboat song (2017-2018). >> 更多

(English) Haffendi Annuar and British artist Jesse Wine were announced as joint winners of the inaugural Powerhouse Commission, in London's famous Battersea Power Station site, >> 更多

(English) Pearl Lam Galleries is pleased to present The Third Script, an exhibition featuring works by Singaporean filmmaker Boo Junfeng and Hong Kong artist Linda C.H. Lai. >> 更多

(English) Hong Kong—Pearl Lam Galleries is pleased to present Foot and Moon, Korean artist Suki Seokyeong Kang’s first solo exhibition in Hong Kong, curated by David Ho Yeung Chan. >> 更多

2015 年 7 月 31 日至 9 月 2 日 星期一至星期六,上午 10 时至下午 7 时 藝術門,香港中环毕打街 12 号毕打行 6 楼 香港-藝術門画廊将呈献驻於阿姆斯特丹和北京的艺术家——倪海峰的个展。 >> 更多

上世纪80年代，素昧平生的两名摄影师阮义忠（Juan I-Jong）和须田一政（Suda Issei），分别前往彼此的国家寻找新鲜的摄影素材。三十多年之后的今日，阮义忠的日本印象和须田一政的台湾印象终于第一次相互交织。 >> 更多

走进仇晓飞作品展，我猝不及防。这些神秘夸张的绘画，在巨大的画廊空间中形成的影响力，怪异地颤动着，却又因一种奇异的智识而完好如初…… >> 更多

“窥视秀”在展示一种视角的拉伸，强调新的时间隔断里，如何对既有的“日常”施以魔法，使其获得被认真对待的可能。
 
 
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北京艺门很荣幸又一次举办刘铮的个展。在他最近的“自拍”项目中, 针对互联网技术对摄影艺术未来的冲击,以及“自拍”作为个人表达与社交 “工具”提出问题,再次将摄影艺术的边界推向新的界限。 >> 更多